After appointing himself chair of the Kennedy Center and replacing its board members with loyalists, President Donald Trump’s first-ever visit to the revered Washington, D.C. cultural center on Wednesday night (June 11) was likely not the warm welcome he expected. Taking his seat for the opening night of Les Misérables, the Associated Press reported that Trump was met with a mix of cheers and boos, as well as an unexpected parade of drag queens who sashayed past the first couple, seemingly in protest of Trump’s previous vow of “NO MORE DRAG SHOWS, OR OTHER ANTI-AMERICAN PROPAGANDA.”
In addition, a dozen performers — from major cast members to ensemble performers — planned to sit out the show after being given the option not to perform on the night Trump was in the house to enjoy what he has said is one of his favorite musicals. The show about 19th century France features a song Trump has played at his rallies in the past, “Do You Hear the People Sing?,” a revolutionary anthem inspired by the 1832 rebellion against King Louis-Phillipe of France.
The song’s stirring lyrics about rising up against oppressive regimes has often been employed at pro-democracy protests around the globe, and on Wednesday one patron reportedly shouted “Viva Los Angeles” as Trump left the presidential box for intermission, a seeming reference to the now nearly week-long protests in that city over the administration’s immigration raids.
In his second term, Trump — who admittedly had never attended a performance at the Kennedy Center in his first term, or ever — has swiftly moved to remake the organization in his own image. After installing himself as chairman of the Center, Trump also placed a number of loyalists on the typically non-partisan board and vowed to remove “woke” shows from the roster. Subsequently, nearly two dozen events have been canceled or postponed, a number out of protest at Trump’s takeover, including Hamilton, the National Youth Poet Laureate Commemoration, Saigon Nights, as well as shows by Peter Wolf, Low Cut Connie, Rhiannon Giddens, Issa Rae and many more.
The AP reported that the show that tackles themes of protest, power, injustice and poverty featured the sounds of explosions and gunfire, with civilians clashing with soldiers on stage at the very same time that Los Angeles was put under curfew after protesters battled with police over immigration raids by ICE for a sixth day following Trump’s call-up of Marines and National Guard troops to quell the protests. “Someone explain the plot to him,” California Gov. Gavin Newsom wrote on X.
In March, Vice President J.D. Vance and wife Usha were booed when they attended a performance by the National Symphony Orchestra and the AP also noted that sales of subscription packages have reportedly declined since the Trump makeover. CNN also reported that while some cheered and clapped for Trump and First Lady Melania Trump as they stood up at the end of the first act, one woman in the orchestra section below shouted, “Felon, you’re a convicted felon!” to the first U.S. president to take the office after being convicted of a felony. The women then added, “Convicted felon, rapist!” before a security guard seemed to escort her out; Trump was found liable for sexual abuse and defamation in 2023 in a suit filed by writer E. Jean Carroll and in 2024 was convicted on 34 felony counts of falsifying business records in an attempt to conceal hush money payments to porn actress Stormy Daniels before the 2016 election.
In addition, as the crowd awaited Trump’s return to his seat, another person reportedly yelled, “F–k Trump! to cheers, while a supportive patron responded with “We love you.” The president seemingly reacted to the comments by pumping his first three times — reminiscent of his response after an assassination attempt last year in Pennsylvania in which a gunman fired at the then-candidate and nicked his ear.
Check out the mixed reaction to Trump’s Kennedy Center attendance below.
The post “Donald Trump Greeted With Boos, Cheers, Drag Queen Parade During First Visit to Kennedy Center For ‘Les Misérables’ Performance” by Gil Kaufman was published on 06/12/2025 by www.billboard.com