Megan Thee Stallion Plots ‘Act III’ Album for 2025: ‘Be Ready Hotties’

Megan Thee Stallion Plots ‘Act III’ Album for 2025: ‘Be Ready Hotties’

Megan Thee Stallion already has her sights set on a new project in 2025. On Tuesday (Dec. 18), the Houston Hottie teased Act: III with a tantalizing tweet.

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“Real Hot Girl S–t ACT 3 2025 … be ready hotties,” she wrote on X. The tweet came in response to one of her fan accounts showcasing her various looks from ad campaigns and award shows throughout what was a busy 2024 for Meg.

The Hotties were thrilled to hear there’s more music on the way for ’25 from the Grammy-winning rapper. “ALREADY TEASING ACT 3 OMMMGGGG,” one fan tweeted, while another added, “Hot girl productions, head of the label Nothing but hits comin out of the stable! we’re readyyyyyyyyy to be fed AGAIN.”

Megan Thee Stallion released her Megan album in June, which debuted and peaked at No. 3 on the Billboard 200, and then spun the block for Act: II in October with features from RM, Flo Milli, Spiritbox and Twice.

In other Megan news, she recently filed a restraining order against Tory Lanez (real name Daystar Peterson), who she alleges in the petition is continuing to “terrorize her” from behind bars after being sentenced to a decade behind bars for shooting Megan Thee Stallion in the foot following a 2020 party.

A petition was filed with the Los Angeles court system on Tuesday, and claims Lanez has been conspiring with individuals on the outside to “harass, bully, and antagonize” the artist (real name Megan Pete) with misinformation.

“Mr. Peterson’s attempts to retraumatize and revictimize Ms. Pete recognize no limits — indeed, they continue even while he is behind bars,” Megan’s attorney wrote. “While Mr. Peterson distorts and recklessly disregards the truth in his desperate attempt to appeal his conviction, his false assertions have reignited a slew of negative, harmful, and defamatory comments directed to Ms. Pete.”

The post “Megan Thee Stallion Plots ‘Act III’ Album for 2025: ‘Be Ready Hotties’” by Michael Saponara was published on 12/18/2024 by www.billboard.com